Works

poster collection

My A1 friends from the print world deserve a spot here because they need some recognitions.

2018-present

| A1 posters, digital prints

Collection of posters for events I’ve made in the past. As one of my favorite mediums, the poster framework provides a clean canvas for my creative freedom to do what I want. Yet, it is also often the starting point for a more significant project that requires a more intricate visual system. Hence, my design process usually starts with understanding different needs and goals by organizing information and components together on this surface. From what I have gathered and created, the graphical details become other possibilities for elaborating the design into more comprehensive and extensive projects.

Fanzine 11 - Hidden

The fanzine created for the Social Design Studio at Angewandte delves into the studio's innovative projects and community impact initiatives. Themed around the concept of "hidden," the fanzine utilizes time as a narrative tool, dividing its content into two sections—summer and winter—to provide a comprehensive overview of the year's achievements. By spotlighting typically unseen aspects of the studio's work, the fanzine aims to bring to light the transformative stories and ideas that often remain obscure. Through compelling visuals and insightful narratives, it encourages readers to explore the deeper layers of the studio's initiatives and their broader societal implications.

2024

| editorial, book design

The fanzine comissioned by the Social Design Studio at Angewandte delves into the studio's innovative projects and community impact initiatives. Themed around the concept of "hidden," the fanzine utilizes time as a narrative tool, dividing its content into two sections—summer and winter—to provide a comprehensive overview of the year's achievements. By spotlighting typically unseen aspects of the studio's work, the fanzine aims to bring to light the transformative stories and ideas that often remain obscure. Through compelling visuals and insightful narratives, it encourages readers to explore the deeper layers of the studio's initiatives and their broader societal implications.

Fabri

In this commentary, We explore an alternative solution for the fast fashion industry and consumers by incorporating our research into artwork. Inspired by the language of mass-produced, single-use products, I used product packaging as a canvas for our statement and research prints, and a sewing pattern for toilet paper packaging, resonating with the theme of reconstructing secondhand materials found in the toilet paper roll. While consumers turn to conscious shopping alternatives like second-hand stores, overconsumption remains unaddressed. Even new garments find their way into the second-hand market as 'used' items, highlighting the irony in our relationship with clothing, which often resembles mass-produced, single-use products with short lifespans.

2022

| editorial, lettering, packaging

Together with

Dila Demircan Özer

project statement/sewing pattern

project statement as packaging

rights for lefts

In a world full of right-handed people, inconveniences and lefties' daily lives go hand in hand, but this thought probably only occurs when they touch elbows with the right person during dinner parties.

2019

| identity, editorial, web design

The satirical campaign was initially aimed at addressing the challenges faced by left-handed individuals in a right-dominant world, but its core value evolved to highlight the anticlimactic change of narrative. By contrasting visuals and content, the design encourages diverse approaches to issues and celebrates the unique perspectives of left-handed individuals, fostering inclusivity and understanding. The website provides a deliberately user-unfriendly experience to present a different perspective and the accompanying confusion, while the exhibition creates an immersive space to challenge stereotypes and foster empathy. Finally, the publication documents the process, offering an in-depth look into the left-handed world when necessary.

project publication

exhbition set up

poster collection

2022

| identity, poster, flyers, digital contents

The visual identity created for the master's graduation of the Social Design Studio at Angewandte revolves around the theme of "resource/de-source/outsource." Central to this concept is the use of an invisible line that connects and overlaps, symbolizing various meeting points and intersections where different sources converge. This dynamic visual representation not only highlights the diversity of ideas and influences within the studio but also underscores its commitment to exploring new perspectives and innovative approaches to social design. Through this identity, the graduation ceremony is visually portrayed as a culmination of diverse sources coming together to create meaningful impact and positive change in the community and beyond.

poster

flyers

pixelated truth

image analysis, AI, reading images,
image manipulation, visual Research

2023

| media installation

Together with

Réka Novak,

Orest Yaremchuk

Through examining image documentation from the Ukrainian War and media manipulation in Taiwan, this project delves into the influence of visual media on our perception of truth and the nuanced nature of visual media. The subtleties inherent in imagery distribution underscore how our perceptions significantly influence our comprehension of the world. It reminds us that even the slightest alterations in visual presentation can transform raw truth into subjective belief. With experimental insights that are generated from AI it challenges biases and assumptions in our image interpretation. We emphasize how even minor alterations can reshape our perception of reality. This work underscores the subjectivity inherent in comprehending our complex world, encouraging viewers to question their biases during interpretation.” Website on the way